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So once I had met James, seen his short films, and we hit it off, I knew that this was going to be special. Most directors don’t have a history of directing actors, and I think it definitely helps when directors have acted themselves, or at least tried. That’s the most dead quality in directors now.
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This is a guy who’d done a lot of work in theater around the world, and when I met him, it seemed to me like he knew how to talk to actors and with them, and was well acquainted with that. It’s not like he was some wunderkind like Paul Thomas Anderson who made Boogie Nights at 25 or whatever the fuck he was. He’s quite an experienced guy, and he’s not a spring chicken, either. Immediately, I wanted to see his short films, because I knew he’d done nine of them. I have an agent in New Zealand, Karen Kay, and she had recommended that I meet with James because he’d written a script. PopHorror: So what was it that intrigued you about this film, and made you want to be a part of it?ĭaniel Gillies: Well, I had heard a little bit. It’s interesting how that affects certain people. Either they really love to talk about that scene, or they don’t mention it at all. That is exactly what came to mind with the scene at the gas station.ĭaniel Gillies: Yeah, it’s really 50/50. PopHorror: I love that you mentioned Irreversible, because Gaspar Noe is my favorite director, and that is within my top three films. But with Gaspar’s film, the first atrocity happens within six minutes, and you’re like, “Oh, God.” And once you realize you’re traveling backwards, there’s no turning around.
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And Gaspar Noe’s Irreversible comes to mind. It’s a 2011 film that Daniel Henshall… Man, he is phenomenal in it.
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I said the other day, I think the last time I felt like this-and there are only a couple of movies that did it-was that movie Snowtown. I think the international name is The Snowtown Murders. I don’t love the moment, but I love that it grabs you by the collar and shoves you against the wall. PopHorror: He actually had to warn the programmer about the content of this movie, specifically the beginning, and the events that transpire.ĭaniel Gillies: That’s what I love about the movie. A friend of mine works at a local theater, and they just booked this to play there at their theater. But you’re absolutely right, watching on a laptop does affect the experience. PopHorror: I was able to watch it on my television.
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Which is the only way I’ve seen it so far. There’s no turning around.ĭaniel Gillies: It’s not the type of film you’re on your phone with, even if you were watching it on a laptop. As I’ve said like 100 times before, once you’re locked into this movie, you’re irretrievably locked in. But I like horror that makes me feel uncomfortable and makes me emotional about it, and that’s what I appreciate about it.ĭaniel Gillies: Yeah, it’s definitely unique. Daniel Gillies: Well, watching the film, because it’s just so challenging.